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$a Michele Emmer, Introduction to The visual mind: art and mathematics -- Max Bill, The mathematical way of thinking in the visual art of our time -- Benoit B. Mandelbrot, Fractals and an art for the sake of science -- H. S. M. Coxeter and G. C. Shephard, Portraits of a family of complex polytopes -- Roger Penrose, On the cohomology of impossible figures -- Charles O. Perry, On the edge of science: the role of the artist's intuition in science -- Angel Duarte, Interactivity and plastic space: from the minimal unit of movement to the modulus -- Harriet E. Brisson, Visualization in art and science -- Robert Dixon, Two conformal mappings -- George K. Francis, On knot-spanning surfaces: an illustrated essay on topological art -- Anthony Phillips, The topology of Roman mosaic mazes -- Fred Almgren and John Sullivan, Visualization of soap bubble geometries -- Thomas Banchoff and Davide P. Cervone, Illustrating Beyond the third dimension -- Stewart Dickson, True 3D computer modeling: sculpture of numerical abstraction -- Herbert W. Franke and Horst S. Helbig, Generative mathematics: mathematically described and calculated visual art -- Donna J. Cox, Caricature, readymades and metamorphosis: visual mathematics in the context of art -- Brian Evans, Number as form and content: a composer's path of inquiry -- Dann E. Passoja and Akhlesh Lakhtakia, Carpets and rugs: an exercise in numbers -- Clifford A. Pickover, On computer graphics and the aesthetics of Sierpi\'nski gaskets formed from large Pascal's triangles -- Michele Emmer, Soap bubbles in art and science: from the past to the future of math art -- Branko Grünbaum and G. C. Shephard, Interlace patterns in Islamic and Moorish art -- Doris Schattschneider, The fascination of tiling -- Silvio Levy, Automatic generation of hyperbolic tilings -- Goffredo Haus and Paolo Morini, TEMPER: a system for music synthesis from animated tessellations -- J. F. Rigby, Compound tilings and perfect colourings -- L. Loreto, R. Farinato and M. Tonetti, Crystallography and plane ornaments: interactive multi-window computer graphics -- V. A. Koptsik, Reflections on symmetry-dissymmetry in art and in art studies -- Laura Geatti and Luciano Fortunati, The flagellation of Christ by Piero della Francesca: a study of its perspective -- Michele Emmer, Art and mathematics: the Platonic solids -- Lucio Saffaro, On some new Platonic forms -- A. S. Koch and T. Tarnai, The aesthetics of viruses -- Linda Dalrymple Henderson, The fourth dimension and non-Euclidean geometry in modern art: conclusion -- Manuel Corrada, On some vistas disclosed by mathematics to the Russian avant-garde: geometry, El Lissitzky and Gabo -- Dick Termes, The geometries behind my spherical paintings -- Emilio Frisia, New representative methods for real and imaginary environments. |
