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Libro

The visual mind : art and mathematics

edited by Michele Emmer.

Cambridge, Mass. : MIT Press, ©1993.

xvii, 274 págs., [12] págs. de láms. : ilustraciones (algunas col.) ; 29 cm.

Serie: Leonardo books

ISBN: 026205048X

Incluye referencias bibliográficas e índices.

Reseña: MathSciNet, 94h:00013

Contenido

  • Michele Emmer, Introduction to The visual mind: art and mathematics
  • Max Bill, The mathematical way of thinking in the visual art of our time
  • Benoit B. Mandelbrot, Fractals and an art for the sake of science
  • H. S. M. Coxeter and G. C. Shephard, Portraits of a family of complex polytopes
  • Roger Penrose, On the cohomology of impossible figures
  • Charles O. Perry, On the edge of science: the role of the artist's intuition in science
  • Angel Duarte, Interactivity and plastic space: from the minimal unit of movement to the modulus
  • Harriet E. Brisson, Visualization in art and science
  • Robert Dixon, Two conformal mappings
  • George K. Francis, On knot-spanning surfaces: an illustrated essay on topological art
  • Anthony Phillips, The topology of Roman mosaic mazes
  • Fred Almgren and John Sullivan, Visualization of soap bubble geometries
  • Thomas Banchoff and Davide P. Cervone, Illustrating Beyond the third dimension
  • Stewart Dickson, True 3D computer modeling: sculpture of numerical abstraction
  • Herbert W. Franke and Horst S. Helbig, Generative mathematics: mathematically described and calculated visual art
  • Donna J. Cox, Caricature, readymades and metamorphosis: visual mathematics in the context of art
  • Brian Evans, Number as form and content: a composer's path of inquiry
  • Dann E. Passoja and Akhlesh Lakhtakia, Carpets and rugs: an exercise in numbers
  • Clifford A. Pickover, On computer graphics and the aesthetics of Sierpi\'nski gaskets formed from large Pascal's triangles
  • Michele Emmer, Soap bubbles in art and science: from the past to the future of math art
  • Branko Grünbaum and G. C. Shephard, Interlace patterns in Islamic and Moorish art
  • Doris Schattschneider, The fascination of tiling
  • Silvio Levy, Automatic generation of hyperbolic tilings
  • Goffredo Haus and Paolo Morini, TEMPER: a system for music synthesis from animated tessellations
  • J. F. Rigby, Compound tilings and perfect colourings
  • L. Loreto, R. Farinato and M. Tonetti, Crystallography and plane ornaments: interactive multi-window computer graphics
  • V. A. Koptsik, Reflections on symmetry-dissymmetry in art and in art studies
  • Laura Geatti and Luciano Fortunati, The flagellation of Christ by Piero della Francesca: a study of its perspective
  • Michele Emmer, Art and mathematics: the Platonic solids
  • Lucio Saffaro, On some new Platonic forms
  • A. S. Koch and T. Tarnai, The aesthetics of viruses
  • Linda Dalrymple Henderson, The fourth dimension and non-Euclidean geometry in modern art: conclusion
  • Manuel Corrada, On some vistas disclosed by mathematics to the Russian avant-garde: geometry, El Lissitzky and Gabo
  • Dick Termes, The geometries behind my spherical paintings
  • Emilio Frisia, New representative methods for real and imaginary environments.
 
Registro 003486 · Modificado: 11/03/2013

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